http://hdl.handle.net/2173/636 Thu, 23 May 2013 11:27:50 GMT 2013-05-23T11:27:50Z http://hdl.handle.net/2173/109050 Title: A critical analysis of the portrayal of ‘race’ in It Ain't Half Hot Mum Authors: James, David Description: Full-text of this article is not available in this e-prints service. This article was originally published in Journal of British Cinema and Television, published by and copyright Edinburgh University Press. Thu, 01 Jan 2009 00:00:00 GMT http://hdl.handle.net/2173/109050 2009-01-01T00:00:00Z http://hdl.handle.net/2173/83636 Title: Similar to nothing Authors: Hawley, Steve; Dutton, Steve Description: “Similar to Nothing” explores the relationship between the uncanny and the moving image via the production of a 9 minute dual screen work. Funded by the AHRC the piece was shown at VAD Digital Arts Festival, Girona, 2005, where it received a Special Mention as well as being shown at Lausanne Underground Film Festival 2005 and Best of LAUFF Zurich 2005. Sat, 01 Jan 2005 00:00:00 GMT http://hdl.handle.net/2173/83636 2005-01-01T00:00:00Z http://hdl.handle.net/2173/82122 Title: Speech marks Authors: Hawley, Steve Description: The (then) limitations of the mobile phone medium, small stuttering images of ten seconds, turned into strengths as the images are collaged into a series of autobiographical scenes. The primitive video harks back to Baird’s early experiments with his low resolution 60 line system, and my work over the last 25 years has touched on the limitations and possibilities of emergent technologies (article for COIL on John Baird in 1996, The Extent of Three Bells 1981 exploiting the burn effect of light on camera tubes, shown Nov 06 at Tate Modern, as part of Analogue show). The research examines how foregrounding of the medium creates a relationship with the viewer which both seduces and exposes the image making process. The context draws from structuralist film and video as video in the 1970s and my own previous work. This was one of the first video art pieces created on a mobile phone. Also shown at VAD Digital Arts Festival Girona 2004 (Special Award Prizewinner) 600 euros. Chroma 2004 Mexico City. San Francisco Art Institute 2005.Cosmic Zoom Festival Copenhagen 2005. Videoformes Clermont Ferrand France 2005. International festival of Cinema and Technology. Various international venues 2006. Thu, 01 Jan 2004 00:00:00 GMT http://hdl.handle.net/2173/82122 2004-01-01T00:00:00Z http://hdl.handle.net/2173/78535 Title: Amen ICA Cinema Authors: Hawley, Steve Abstract: Video commission funded by Lovebytes Sheffield (£6000) first screened at Lovebytes Festival, Sheffield, April 2002. Part of an ongoing series of works about language (the video explored palindromes). Description: Video/ Volatile Media DSP2 of exhibition shown at Vancouver Videopoem Festival; Digital Art Festival, Sheffield 2002, Rencontres Internationales Paris Berlin Cinemathique Francaise Paris, Podewill Cinema Berlin 2003. UK Canadian Video Exchange South London Art Gallery. Other venues in the UK, Greece, Poland, Canada. Including Books, Words, Letters, ICA, London, 2007. Tue, 01 Jan 2002 00:00:00 GMT http://hdl.handle.net/2173/78535 2002-01-01T00:00:00Z