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    <pubDate>Sun, 26 May 2013 09:35:50 GMT</pubDate>
    <dc:date>2013-05-26T09:35:50Z</dc:date>
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      <title>Stephen King's Gothic</title>
      <link>http://hdl.handle.net/2173/192376</link>
      <description>Title: Stephen King's Gothic
Authors: Sears, John
Abstract: Stephen King is the world's best-selling horror writer. His work is ubiquitous on bookstore, supermarket, and personal library shelves and has been faithfully adapted into some of the most iconic horror films of the twentieth century. This study explores his writing through the lenses of contemporary literary and cultural theory. Through analyses of some of his best-known work, including "Carrie" and "Misery," the authors argue that King offers ways of encountering and understanding some of our deepest fears about life and death, the past and the future, technological change, other people, monsters, ghosts, and the supernatural.This is the first extended critical-theoretical engagement with King's writing, and will be of interest to students, academics, and fans of horror fiction.</description>
      <pubDate>Wed, 01 Jun 2011 00:00:00 GMT</pubDate>
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      <dc:date>2011-06-01T00:00:00Z</dc:date>
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      <title>Form, historical crisis and poetry's hope in George Szirtes's 'Metro'</title>
      <link>http://hdl.handle.net/2173/192392</link>
      <description>Title: Form, historical crisis and poetry's hope in George Szirtes's 'Metro'
Authors: Sears, John</description>
      <pubDate>Mon, 01 Nov 2010 00:00:00 GMT</pubDate>
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      <dc:date>2010-11-01T00:00:00Z</dc:date>
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      <title>Tour du monde: David Mitchell's Ghostwritten and the Cosmopolitan Imagination</title>
      <link>http://hdl.handle.net/2173/112225</link>
      <description>Title: Tour du monde: David Mitchell's Ghostwritten and the Cosmopolitan Imagination
Authors: Schoene, Berthold
Description: Full-text of this article is not available in this e-prints service. This article was originally published following peer-review in College Literature, published by and copyright West Chester University.</description>
      <pubDate>Fri, 01 Jan 2010 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/2173/112225</guid>
      <dc:date>2010-01-01T00:00:00Z</dc:date>
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      <title>The Edinburgh companion to Irvine Welsh</title>
      <link>http://hdl.handle.net/2173/111529</link>
      <description>Title: The Edinburgh companion to Irvine Welsh
Authors: Schoene, Berthold
Abstract: The subcultural enfant terrible of devolutionary protest and rebellion, Irvine Welsh is now widely acknowledged as the founding father of a whole new tradition in post-devolution Scottish writing. The unprecedented worldwide success of Trainspotting, magnified by Danny Boyle's iconic film adaptation, revolutionised Scottish culture and radically remoulded the country's self-image from dreamy romantic hinterland to agitated metropolitan hotbed. Though Welsh's career is very much an ongoing phenomenon, his influence on contemporary Scottish literary history is already quite indisputable and enduring.</description>
      <pubDate>Fri, 01 Jan 2010 00:00:00 GMT</pubDate>
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      <dc:date>2010-01-01T00:00:00Z</dc:date>
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