2.50
Hdl Handle:
http://hdl.handle.net/2173/97017
Title:
Arts in ecology: questions of foresight
Authors:
Haley, David
Citation:
Music and arts in action, 2008, vol. 1, no. 1, pp. 21-35
Publisher:
University of Exeter, Department of Sociology & Philosophy
Publication Date:
2008
URI:
http://musicandartsinaction.net/index.php/maia/article/view/artsinecology; http://hdl.handle.net/2173/97017
Additional Links:
http://www.musicandartsinaction.net/index.php/maia
Abstract:
First, to reflect upon the title, ‘Music and Arts in Action’. We might, for certain purposes, consider a coming together of art forms and disciplines. Not the crossovers, mergers and interdisciplinary dialectical fusions we are familiar with, but a convergence or, as the biochemist E. O. Wilson (1999) termed it, a ‘consilience’, a leaping together of different knowledge. Perhaps this is akin to the Nobel physicist David Bohm’s ‘Dialogue – A proposal’ (Bohm, et al, 1991), in which processes, forms and structures synthesise as a creative act? And so we move from the co-joining action of the word ‘and’ to the dynamic agency of ‘in’. Here we may find meaning in ‘…in Action’, the act, or intervention that provokes and evokes a new culture, or a new society, perhaps as the artist Joseph Beuys (1990) aimed for in his concept of ‘Social Sculpture’. Furthermore, that notion of dynamism embedded in ‘in Action’ introduces the ideas of movement, change and transformation – from one place to another, from one time to another, or from one state of being to another. ‘Far from equilibrium’ (Prigogne and Stengers, 1984), this relational interdependence may be understood as that embodied by whole systems ecology, or the process, pattern and structure of Music and Arts. Here and now is where this paper starts, by considering the ways in which this dialogue with and between Music and Arts might, in Action, create questions of foresight and ‘ennobling questions’ (Haley, 2008) that may contribute to many futures becoming. The key message is that environmental, social and cultural sustainability require creative, imaginative and positive approaches, and that the arts can contribute to these.
Type:
Article
Language:
en
Description:
Full-text of this article is not available in this e-prints service. This article was originally published following peer-review in Music and Arts in Action, published by and copyright University of Exeter, Department of Sociology & Philosophy.
ISSN:
1754-7105

Full metadata record

DC FieldValue Language
dc.contributor.authorHaley, Daviden
dc.date.accessioned2010-04-21T10:52:13Z-
dc.date.available2010-04-21T10:52:13Z-
dc.date.issued2008-
dc.identifier.citationMusic and arts in action, 2008, vol. 1, no. 1, pp. 21-35en
dc.identifier.issn1754-7105-
dc.identifier.urihttp://musicandartsinaction.net/index.php/maia/article/view/artsinecology-
dc.identifier.urihttp://hdl.handle.net/2173/97017-
dc.descriptionFull-text of this article is not available in this e-prints service. This article was originally published following peer-review in Music and Arts in Action, published by and copyright University of Exeter, Department of Sociology & Philosophy.en
dc.description.abstractFirst, to reflect upon the title, ‘Music and Arts in Action’. We might, for certain purposes, consider a coming together of art forms and disciplines. Not the crossovers, mergers and interdisciplinary dialectical fusions we are familiar with, but a convergence or, as the biochemist E. O. Wilson (1999) termed it, a ‘consilience’, a leaping together of different knowledge. Perhaps this is akin to the Nobel physicist David Bohm’s ‘Dialogue – A proposal’ (Bohm, et al, 1991), in which processes, forms and structures synthesise as a creative act? And so we move from the co-joining action of the word ‘and’ to the dynamic agency of ‘in’. Here we may find meaning in ‘…in Action’, the act, or intervention that provokes and evokes a new culture, or a new society, perhaps as the artist Joseph Beuys (1990) aimed for in his concept of ‘Social Sculpture’. Furthermore, that notion of dynamism embedded in ‘in Action’ introduces the ideas of movement, change and transformation – from one place to another, from one time to another, or from one state of being to another. ‘Far from equilibrium’ (Prigogne and Stengers, 1984), this relational interdependence may be understood as that embodied by whole systems ecology, or the process, pattern and structure of Music and Arts. Here and now is where this paper starts, by considering the ways in which this dialogue with and between Music and Arts might, in Action, create questions of foresight and ‘ennobling questions’ (Haley, 2008) that may contribute to many futures becoming. The key message is that environmental, social and cultural sustainability require creative, imaginative and positive approaches, and that the arts can contribute to these.en
dc.language.isoenen
dc.publisherUniversity of Exeter, Department of Sociology & Philosophyen
dc.relation.urlhttp://www.musicandartsinaction.net/index.php/maiaen
dc.titleArts in ecology: questions of foresighten
dc.typeArticleen
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